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Kunservative and Blackest: St. Croix’s Soca Royalty at the Christmas Festival

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St. Croix has crowned its Soca Monarchs for this year’s Christmas Festival, with Kunservative seizing the Groovy Soca Monarch title and Blackest clinching the Jumpy Soca Monarch crown. The prestigious competition was held on December 30th, marking a high point in the festival celebrations.

Kunservative, the stage name of Shamall Ferdinand, dazzled the audience and judges alike to emerge as the Groovy King with his performance of “Tie The Knot.” His act, complete with a full-scale wedding ceremony presentation, not only captivated the audience but also earned him top honors. In a gracious post-competition interview, Kunservative expressed his gratitude to the Division of Festivals for not only hosting the event but also for raising the prize to an impressive $10,000. He highlighted this increase as a motivational factor for artists to strive for excellence. Further, he lauded the Division for providing a platform for local talent to shine on a global stage.

The road to success, Kunservative reflected, is challenging. He shared wise advice with future contestants: “Prepare to win, and win to prepare.” His humility shone through in a heartfelt social media message where he praised his peers for their exceptional performances, contributing to an unforgettable evening.

Darnelle “Blackest” Phillip, meanwhile, added another feather to his cap by winning the Jumpy Soca Monarch title with his entry “J’Ouvert Behavior.” This victory marks his fourth Soca Monarch triumph, supplementing his already impressive record of ten road-march wins. Blackest’s victory was a close call, narrowly surpassing runner-up Jamal by a mere point. His success can be attributed to his skillful engagement of the audience, a key aspect of the judging criteria. Post-show, he urged fellow artists to familiarize themselves with these criteria, emphasizing the importance of audience participation in scoring. Additionally, he called upon the spectators to be more involved, underlining their role in enhancing the festival’s allure.

Also deserving recognition is Temisha, who delivered standout performances in both categories, securing third place in each. This year’s Soca Monarch Competition in St. Croix was not just a display of musical talent, but a testament to the vibrant spirit and cultural richness of the island.

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Tribute to Malvern Gumbs Highlights Carnival Village Opening

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The vibrant Carnival Village was inaugurated on Monday night on St. Thomas, marking a high point in the island’s festive season. This year, the village is named “Malvern’s Melodic Greathouse” in honor of esteemed music educator Malvern Gumbs. The grounds buzzed with energy as attendees explored various food and drink stalls.

During the opening ceremony, Senate President Novelle Francis emphasized the essential role of music in the village, applauding Mr. Gumbs for his invaluable contributions to local culture and music. With a 27-year tenure as a music teacher and numerous accolades, including leading the Spectrum band to nine consecutive road march titles, Mr. Gumbs’ impact on the arts was the focus of the evening. His sister, Merida Gumbs, who spoke at the event, credited their late mother with fostering a love of music in her children.

The festive atmosphere was enhanced by the presence of notable figures such as Lieutenant Governor Tregenza Roach, who praised Mr. Gumbs for his dual role as an educator and musician, noting his “tender age” and significant influence on the Carnival celebrations. Governor Albert Bryan also commented on Mr. Gumbs’s versatility in music, humorously questioning whether anyone else could create a song powerful enough to influence a gubernatorial election.

Expressing his appreciation, Malvern Gumbs warmly addressed the crowd, “I love all of you. Happy Carnival everybody!” following the ribbon-cutting that officially opened the village.

As the night progressed, the village drew large crowds eager to enjoy the local cuisine, purchase souvenirs, and experience a lineup of performances from numerous artists, including the internationally renowned soca artist Machel Montano. The evening’s festivities concluded with a series of electrifying performances that underscored the celebratory spirit of the event.

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V.I. Taxicab Commission Offers Complimentary Shuttle Services Post-J’Ouvert to Combat Drunk Driving

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In a proactive move to enhance safety during the festive J’Ouvert 2024, the V.I. Taxicab Commission, in collaboration with the V.I. Police Department, is launching a “Safe Ride Shuttles” service. This service, unveiled on Sunday, is designed to deter drinking and driving by offering free rides to attendees of the annual celebration.

Starting on Thursday, May 2, 2024, just after the J’Ouvert festivities conclude, party-goers will have access to shuttle services in front of the Alexander Farrelly Justice Complex. The shuttles will head east, making multiple stops along the established Safari Bus route. Notable stops include Raphune Hill, Fort Mylner, Tutu Park Mall, Smith Bay, Red Hook, Nazareth, Frydenhoj, Nadir, Bovoni, Bolongo, Frenchman’s Bay, and Haven Sight.

This convenient, voucher-free initiative is part of a broader effort to ensure the well-being of community members during one of the liveliest times of the year. By emphasizing the message, “the life you save may be your own,” the campaign highlights its critical goal: to minimize drunk driving incidents and ensure everyone returns home safely.

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Majestik Estrada-Petersen Triumphs as 2024 St. Thomas Carnival Queen

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The St. Thomas Carnival reached a crescendo with the crowning of this year’s queen, Majestik Freedom Estrada-Petersen, after a spirited contest featuring three exceptional candidates. The event unfolded on a vibrant Saturday night, encapsulating the culture and spirit of the island.

Majestik Freedom Estrada-Petersen, along with fellow contestants Iniyah Griffin, 17, and Caricia Caesar, 18, made their debut in stunning black and white dresses adorned with gemstones, each escorted by a dance troupe in a dazzling display. The competition intensified with the swimwear round, where Estrada-Petersen shone in a striking iridescent pink maillot complemented by a translucent cover-up. Griffin and Caesar followed suit, each adding their unique flair to the stage.

Transitioning to ambassadorial presentations, the contestants showcased Virgin Islands culture through business attire crafted from vibrant madras fabric. Estrada-Petersen delivered a compelling historical narrative of the islands, while Griffin emphasized the agricultural potential of the region, and Caesar celebrated the iconic music of the Virgin Islands, citing local musical legends.

The question segment provided further insight into the contestants’ visions for the future. Estrada-Petersen advocated for educational partnerships to preserve cultural heritage, Griffin called for enhanced community involvement in schools, and Caesar emphasized the unifying and educational power of music.

Cultural and historical attire brought the island’s heritage to life on stage. Estrada-Petersen paid homage to market vendor Sanderilla Thomas with a colonial-style dress, while Griffin’s tribute to Enid M. Baa featured a costume integrating elements of the renowned library. Caesar’s costume symbolically represented the U.S. purchase of the Virgin Islands, complete with historical flags and a transformable gown.

The talent display was equally enthralling, with Estrada-Petersen showcasing her singing and dancing skills, Griffin performing on a steel pan, and Caesar playing a medley on her tenor saxophone.

The evening culminated in the formal wear segment, where Estrada-Petersen dazzled in a gem-encrusted white satin gown, Griffin in a brocade-adorned emerald gown, and Caesar in a sequinned dress with navy accents.

After an evening filled with cultural displays and artistic performances, the judges crowned Majestik Estrada-Petersen as the 2024 Carnival Queen, with Griffin and Caesar as runners-up, respectively. The event not only celebrated the contestants’ talents and cultural appreciation but also marked another memorable chapter in the rich tapestry of St. Thomas Carnival traditions.

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