🎬 Entertainment · Variety
‘Star Wars: Maul — Shadow Lord’ Is an Uneven but Promising Extension of the ‘Clone Wars’ Saga: TV Review - Variety
Disney+ animated series 'Star Wars: Maul — Shadow Lord' is an uneven but promising extension of the 'Clone Wars' saga.
- U.S.
- Asia
- Global
‘The Boys’ Ends Right on Time With a Heavy, Blood-Soaked Season 5: TV Review
‘Star Wars: Maul — Shadow Lord’ Is an Uneven but Promising Extension of the ‘Clone Wars’ Saga: TV Review
Savannah Guthrie and Hoda Kotb’s Tearful ‘Today’ Interview Shows the Complications of Covering a Story So Close to Home
Next month, the "Star Wars" franchise will return to theaters after an astonishing seven-year absence with Jon Favreau's "The Mandalorian and Grogu," a feature spinoff of the director's hit Disney+ series "The Mandalorian." The premiere is a confirmation of what was already clear to fans: that since 2019 — the year both "The Mandalorian" and "The Rise of Skywalker," the most recent "Star Wars" film, premiered within months of one another — the center of the galaxy far, far away has shifted from the multiplex into our living rooms. While prospective film projects from the likes of Taika Waititi or the "Game of Thrones" creators have failed to materialize, the Disney+ roster has continued to expand at a steady pace, spanning the transcendent ("Andor"), the disappointing ("Obi-Wan Kenobi") and the harmlessly entertaining ("Skeleton Crew").
'The Last Critic' Review: A Captivating Portrait of Robert Christgau, the Brilliant Mad Professor of Rock Critics, and How He Made the Grade
'The Peril at Pincer Point' Review: A Sound Designer Chases the Waves in a Handsome Feat of Shoestring Surrealism
An interesting side effect of this migration has been the elevation of the animated series "Clone Wars" into a load-bearing pillar of the "Star Wars" canon. Starting with Genndy Tartakovsky's revered Cartoon Network series, which ran for three seasons beginning in 2003, before rebooting in 2008, "Clone Wars" served as a bridge into the Disney+ era with a final season airing on the service in 2020. (The prior season had wrapped seven years earlier.) As a result, the barrier between the animated offshoot of "Star Wars" and the flagship has blurred: "Clone Wars" character Ahsoka Tano now has her own live-action show where she's played by Rosario Dawson.
The latest "Star Wars" series, the creatively punctuated "Star Wars: Maul — Shadow Lord," is further evidence of this convergence. The title character is portrayed by longtime voice actor Sam Witwer, whose menacing drawl provides continuity for longtime fans. (Maul was introduced in "The Phantom Menace," where he was played by Ray Park and voiced by Peter Serafinowicz, but is a staple of "Clone Wars," which begins in the same time frame as George Lucas' prequel trilogy.) But Witwer is surrounded by high-profile costars like recent best actor Oscar nominee Wagner Moura (“The Secret Agent”), comedian Richard Ayoade and "24" stalwart Dennis Haysbert. "Shadow Lord" is even created by Dave Filoni, the de facto Kevin Feige figure of the franchise. Filoni, who developed "Shadow Lord" with head writer Matt Michnovetz, is returning to his roots here, having showran the post-Tartakovsky version of "Clone Wars" since 2008, but is doing so after several promotions.
Over the eight episodes screened for critics of an eventual 10, "Shadow Lord" can feel as stranded between tentpole and side quest as its CV implies. Set on the urban planet Janix in the early days of the Galactic Empire, post-"Revenge of the Sith," "Shadow Lord" introduces Maul as a crime baron working to dominate competing factions of smugglers. Like the former Sith Lord's cybernetic legs or his origin story alluded to in flashbacks, Maul's current vocation is explained by "Clone Wars," but may be confusing to newcomers who mostly remember the character for his double-sided red lightsaber. The reliance on outside knowledge to give certain climactic moments their impact can undercut their intended effect.
This article is republished through the USVI News affiliate desk. Reporting, analysis, and viewpoints are those of the original publisher and do not necessarily reflect USVI News.